Anzaldúa introduces “nepantla”, a place that is no place, as simultaneously an in-between space and a bridge that joins worlds (28-9). In Rodriguez’s Concrete River, what different worlds, realities, or consciousnesses do you find? What are their boundaries like, and what bridges or joins them?
“Light in the Dark” and “The Concrete River”
April 6, 2018
Ecopoetics Along Shorelines 